![]() ![]() ![]() She is equal parts charming, quirky and incredibly endearing. Audrey Tautou is exquisite as Amélie she breathes life into the character. The presence of a narrator makes it seem all the more like a fairy-tale. Most of the film feels almost surreal with the colours the director infuses in every shot. It is the Paris of someone’s imagination, far from reality. The film is shot entirely in Paris, a Paris that is captured to be safe, dreamy and perfect. UGC-Fox Distribution/Giphy Paris is exquisitely shot in the film The arrival of Nico makes it seem like Amélie finally has a chance to see what she wants for herself. She would rather bring joy and happiness in another person’s life than focus on resolving the problems on her own. Amélie concocts elaborate plans to meet Nico and introduce herself but whenever a chance arises, she stops herself from doing so. But Amélie is afraid to meet him her fear of rejection and abandonment keeps the two apart for most of the movie. UGC-Fox Distribution/GiphyĪlong the way, she falls in love with an equally eccentric young man named Nico (Mathieu Kassovitz). All of this, Amélie believes, will truly bring these individuals joy and contentment. She helps her colleague find love she ensures that an old man gets back a little box of childhood memorabilia and helps her father overcome his anxiety and fulfil his dreams of travelling the world. For the rest of the film, we watch Amélie cause chaos and mischief in the lives of those around her, all in the hope of making a difference in the world. One strange incident sets her off on a unique mission- she decides that she wants to spend the rest of her life making people happy. Amélie remains the main focus for the entirety of the film She works as a waitress in a small café and leads a seemingly content life. Her childhood experiences shape her life as adult her wild imagination becomes her constant companion. She is brought up by her father after her mother dies in a tragic accident. UGC-Fox Distribution/GiphyĪmélie is a young, whimsical girl with a tragic childhood. Starring Audrey Tautou as the titular character, the film is set in Montmartre, Paris. The 2001 French romantic comedy directed by Jean-Pierre Jennet is a film like no other the way it is shot, the way it is acted, every aspect is unabashedly unique and incredibly refreshing. As it stands, I just really don't like Amélie.Watching Amélie is an experience you’re unlikely to forget. Sorry to tell you this, Amélie and all other feel-good movies, you can't. They promote the idea that you can do anything if you set your mind to it. Lastly, and I am fully aware that this is a matter of preference, but I'm just one of those "unemotional freaks" who hates feel-good films. First, you have to actually fucking like each other. Also, the way she artificially created a relationship between the restaurant regular and the smoke shop girl was incredibly manipulative, and is not how relationships work. JUST TELL HIM "I LIKE YOU, LET'S FUCK." AND THE WHOLE MOVIE WILL BE OVER.", and I rarely shout at films. THERE IS NO NEED FOR THIS SECRET AGENT BULLSHIT. By the end of the film (hell, even by the middle of the film), I was shouting "JUST GET THE FUCK TOGETHER WITH HIM, IDIOT. Secondly, Amélie herself annoyed me to no end. She's given little to no verbal characterisation, no-one ever says "Well Gee Nurse Ratched is such a bitch 'cos her dad was killed by a disabled person." or some expository shit like that, it's all left for the viewer to imagine and deduce what conspired before the movie begins and try and see if they can figure out just why Nurse Ratched is so heartless - and it works amazingly well. For a really great example of this, watch One Flew Over the Cuckoo's Nest, my favourite film of all time, and examine the character of Nurse Ratched. The best policy for character development is to show, rather than tell us the little things that make the character who they are - this helps because you're allowing the audience to work things out for themselves, instead of treating them like a complete moron by explaining that "THEES EES CLAUDE END EE LIKES TO POP BOOBLE WRAP". First of all, telling the audience straight up what people like and dislike is not good storytelling. I know I'm very much in the minority, but I hated Amélie, for several reasons. SERIOUSLY, PEOPLE, READ THE WHOLE COMMENT BEFORE DOWNVOTING. ![]()
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